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From Camagüey
A site for Manzano

For Yoan Manuel Pico Taken
CubaLiteraria

The latest edition of Gateway to the road was a luxury, and when you combine a sexy issue, and an excellent speaker, the result can not be another . Camagüey Professor José Emilio Hernandez was summoned to speak about possessed of Roberto Manzano Díaz , very wise choice, since it is a teacher with a vast knowledge of literature and very close to Apple from the time the Award Nicholas 2005 Guillén was a professor of the Institute Higher Pedagogical José Martí.

"Talking Roberto Manzano Díaz spiritualization generates a context that enriches us all," these were the first words of José Emilio Hernández, immediately afterwards, Doctor of Pedagogical Sciences and author of numerous articles on education began to recall the years when he worked with the bard. In his view, and from that time Manzano had a pretty deep idea to what I wanted to do with its creation. This self-consciousness, according to the speaker very torn in some contemporary writers makes us different solid to a poetry that "is concerned with real human activity." This last feature was exemplified by the poem "The Volga Barge Haulers." Analysis preceded a short anecdote about how he met Roberto Manzano box that eventually led to the creation of the text.

It Manzano at that time was an outstanding worker, which is why his co mpañeros the union wanted a humble present him with this. A book with paintings by Ilya Repin, a few months since languished in the store base study material served to laudable ends. What I did not suspect any of his peers is that the gift would have such utility. Of course, the story sparked humor, as well as tales about José Emilio Manzano dismissal when meeting and was curriculum. To speak of Manzano spiritualization generates a context, as you said the guest of the night, but also raises the humor that characterizes essential Cubans.

For the lecturer, another feature of the poetry of Robert Manzano is that it is through dialogue with otherness, talk in your case is based on a profound humility. A definite history of this posture found in Walt Whitman, however, for speaker of American poetry has a superb ingredient. To support this claim, José Emilio dove into a few verses of "Song of Myself" that often go unnoticed: Everything observed, everything I write, the whole show with its resonance interests me, I mix it and then I I . Through the comparison of these verses with those of Manzano, the guest showed the audience that the author was born in Ciego Avila has not been limited to take the whole tradition of literature, but in the most significant has made a deep and critical reading of it. Do not forget to note that this reading is extended to other fields such as science and philosophy. This is a whole universe of information that the poet has built a system poetry is "a manifestation of the thought of complexity to the lyrical level."

for Jose Emilio Hernandez, the intention of the writer to assume the legacy Whitmanian not only evidence on the ideological level, also affects the form: thus, if Song of the savanna was based on the organizational principle of the most famous poem by Whitman, recently delivered Manzano texts that demonstrates its ability to build systems acentric poetry, as evidenced in " Steps in the shadow "text in which José Emilio Hernández found evidence of what is now known as deep ecology. Undoubtedly, another reason to approach this "poetry concerned with the dispossessed and the victim," master words that ended the conference.

A rock that from its name pays tribute to one of the leading poets of the moment could not have a better session. It is a pleasant coincidence that it took place in the University Festival of Books and Literature . not no better way to promote the culture to speak of a poet who expresses in his poems of an endearing way.

Like all rock, it also ended with the inevitable conversation among fellow members, but this time the exchange was different. Thanks to him we knew a secret worth uncovering. It is that, given its growing prestige in the academic world, José Emilio Hernandez was invited to participate in the preparation of curricula that will begin to rule in the pedagogical institutes of the country. For new courses, the teacher has given irrefutable: the poetry of Robert Manzano Díaz . A creation that, according to what is seen in recent years, is now valid heritage of Cuban culture.

original version CubaLiteraria .

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